We hope you enjoyed part one of our Marcy Maloy interview on our blog from February 16th. Marcy just returned from her fabulous trip from Paris and was able to speak to us further about some of reader questions about how she found her talent for photography, getting a “D” in art class, her inspiration, and some of the rewarding factors in photographing children. Read more to find out!
www.marcymaloy.com
What is the most rewarding factor in photographing children’s fashion?
Marcy: I realized fairly quickly that I had a special rapport with kids…we seem to speak the same language. I can look into the eyes of a baby and make a wordless connection. That is very cool and rewarding. I love to play. I love making up non-sensical scenes and stories with kids and it doesn’t matter to them (or to me) if they don’t make sense. So that is fun.
I like making people happy, and when it all works and the child feels confident and empowered, the parents are proud, my client is happy, my crew feels tight and proud of a job well done, it’s really wonderful — the exhilarating euphoric sense we all have at the end of a shoot…and that is rewarding!
Tell us about yourself – how did you get into photography or what was your calling? And how many years have you been a photographer?
Marcy: It’s odd because I didn’t realize I was “artistic” or visually inclined in any way till I was almost 30! I took a required art class in high school, but got a “D” because I talked too much in class! I had no interest in painting or light…it’s strange because I have such a passion for it now. I was a stewardess with American Airlines for 5 years and then worked at the US Embassy in Paris for the DIA. It was there that a friend loaned me his camera for a whole day and told me to just go shoot and “play”…a strange concept for me because growing up, my parents would only take 1 or 2 pictures at a time on special occasions. I shot 2 rolls of film and I was hooked! I’ll never forget the moment when I went to pick up my film at the Photo Lab on Boulevard St. Germain and the French woman said in her very thick accent. “I sink you have a verrrry gooooode eye!” that was it…that was my turning point…From that moment on I decided I was now going to be a photographer…whatever that meant…I wasn’t sure…but I definitely decided it was for me!
I spent 3 years at the Brooks Institute of Photography in Santa Barbara and came to San Francisco to begin my new life…but that is another chapter.
Give us an inside look into your studio – can you share a picture of your studio and can you describe it?
Marcy: Up until about 10 years ago I had a 2,000 square foot studio, but then because of the .com industry, my studio rent doubled overnight and I realized I didn’t really need a big studio. Now I run my business out of my office out of my home in San Francisco and I rent a large studio when I need one. I have a full time studio manager and I hire freelancers to be my photo assistants on an as needed basis.
For very small jobs I have a large room with high ceilings in my house that works fine.
This photo was taken in my living room/studio.
Marcy: Stick to the part of photography that makes you most happy because passion for something really does give you the fuel you need to keep going…and keep a positive attitude.
- When we are preparing the lighting in the studio I use a stand-in…here is my assistant Charles throwing “Bridget” up in the air. The ramp he is sitting on is to create a feeling of a hill for the little boy (top photo) to run down.
My Dad always told me that the key to success was just to “get out of bed in the morning and get to work! Keep at it!”
www.marcymaloy.com
Le Top blog 